A husband, a family, a comfortable life: Theodora Lestrange lives in terror of it all.
With a modest inheritance and the three gowns that comprise her entire wardrobe, Theodora leaves Edinburgh — and a disappointed suitor — far behind. She is bound for Roumania, where tales of vampires are still whispered, to visit an old friend and write the book that will bring her true independence.
She arrives at a magnificent, decaying castle in the Carpathians replete with eccentric inhabitants: the ailing dowager; the troubled steward; her own fearful friend, Cosmina. But all are outstripped in dark glamour by the castle’s master, Count Andrei Dragulescu.
Bewildering and bewitching in equal measure, the brooding nobleman ignites Theodora’s imagination and awakens passions in her that she can neither deny nor conceal. His allure is superlative, his dominion over the superstitious town, absolute — Theodora may simply be one more person under his sway.
Before her sojourn is ended — or her novel completed — Theodora will have encountered things as strange and terrible as they are seductive. For obsession can prove fatal…and she is in danger of falling prey to more than desire.
In 2007, thanks to Michelle Moran’s blog I discovered “Silent in the Grave“, the first in the Julia Grey series. Then I impatiently waited and read “Silent in the Sanctuary” within days of the release and considered myself a real fan of Deanna Raybourn. After reading the third book in the Julia Grey series “Silent on the Moor” I could not wait for more. When I found out that author Deanna Raybourn would be writing a different book off of the Julia Grey series, I was intrigued, but uncertain.
Lastly, I still hold my opinion that the original cover types for the first two Julia novels, were much better than the new ones… but alas. (See the covers that I am referencing in my reviews, from the links below).